7 Tips for Getting Pro-Sounding Vocals in Your Studio

 

7 Tips for Getting Pro-Sounding Vocals in Home Studio

 

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Every Artist wants to record in a big, fancy studio with a world-renowned producer, but the reality is that most of us are getting by on a pretty small budget. Luckily, with a couple of easy tricks, some production knowledge and little bit of patience, you can get pro sounding vocal recordings in your home recordings studio that sound incredibly close to what a professional studio might offer.

One of the biggest telltale signs that a track wasn’t recorded professionally is how the vocals sound, so I’m going to let you in on a few pro tips to get the sound you want with the gear you have.

1. Get in the Vibe

As obvious as it sounds, the first step to getting a good recording is to set the right ambience. If the mood is off and you’re in an environment where you can’t relax, you’re already off to a bad start. Once you’re feeling relaxed, make sure your headphone levels are nice and you’ll be ready to go.

2. Hack your room

In order to accomplish a great vocal track in a semi-professional environment, it’s a good idea to record in a neutral, dry room. You’ll want to avoid very large rooms with lots of reflections and reverberated sound because it will alter the quality and the control when you are in the mixing process. Keep in mind that there’s no way to go back to “dry” from a “wet” sound, so make sure the room has a controlled sound, leaning towards dry (not “dead” though).

A bedroom works well because your mattress, blankets, cupboard and even curtains are all good sound absorbers. In any case, you can build a simple vocal booth using old blankets, curtains, mattresses and pillows. You could even add a few rough wood panels to create a more natural sound. Remember, the most important thing to avoid is those reflections Free shipping and the guaranteed lowest price as SamAsh.comand echoes typical of hard floors, empty rooms and large rooms.

3. Set up your Mic  for success

Place the mic diaphragm facing your lips (sometimes off axis, if necessary). Listen with your headphones for the subtle differences. Try close (two or three inches) or mid-distance (one foot) from your lips, depending on which sound is best for your track. Always use a pop filter in front of the mic to cut harsh “P” and “T” sounds. Pop filter ar relatively inexpensive.

4. Set your mic levels right

Let the mic warms up for a few minutes, then quickly get the level into the preamp and on your DAW. Vocals should be safely below the red to avoid distortion from levels that are too hot (also known as  “clipping” or “peaking”).

5. Do several takes of the track

Always warm up singing through the entire song two or three times before going into tricky spots. Relax and have fun with it the whole way through – you’re making music, after all! Record everything and properly label all the tracks and takes for easy reference later.

If you’re not pleased with your performance after multiple takes, take a break and step away from the song. Sometimes overdoing it can put strain on your performance and your voice. Instead of letting frustration build, coming back to it with a fresh start the next day might be your best move.

6. Dont over steer the ship

Today’s software offers incredible control over your tracks for editing. If you have some experience with plugins and editing tools, that’s great, but don’t overuse them or become too dependent.

When you’re doing vocal comping, try to use big portions of a given take so that you don’t ruin the vibe and original nature of the performance. Fill in only the weak parts with other vocal takes. Make sure you focus on the performance, not the pitch. Use parts that aren’t just sung “well,” but that also have personality.

 

Autotune and Melodyne are great tools, but don’t overdo them (unless you’re intentionally going for that mainstream pop/artificial effects sound in the production). Only fix the faulty words or sections – don’t put the tuning plugin on the whole track.

7. Know when (or not) to process your vocal track

Skilled engineers and producers have figured out how to achieve a convincing sound for vocals after years of experience and dozens of albums. While that level of experience can’t quite be replicated in your recording studio.  If you’re just starting out, there are many high quality plugins for DAWs nowadays that will allow you to get pretty darn close, as long as you have patience and a good ear.
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For starters, youmay not need to use EQ if you have a really good preamp. If you’re recording jazz, folk or classical, do not use compression. For pop or rock, try using 2-4 dB compression and a slow attack (to preserve a more natural vocal sound), and see if you like it. Feel free to use hard compression to create an effect sound of squashed track

A few effects plugins you may want to equip yourself with include:

  • a good parametric EQ to cut unwanted frequencies and enhance others
  • a couple of compressors
  • a de-esser
  • two or three types of delays (short, medium and long, to be used in different parts of the song)
  • one or two high quality reverbs (short and long – again, to be used creatively throughout the song)

Experiment with these effects and see how they change the vibe of the song and the production. It’s all about trying things until you find the sound you want.

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